See full version: 9 Of The Best Moments From The; Pirates Of The Caribbean; Series
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Right from the start, it was established that pirates, although sometimes good people, should never be trusted wholeheartedly. more
"For too long I've been parched of thirst and unable to quench it. Too long I've been starving to death and haven't died. I feel nothing. Not the wind on my face nor the spray of the sea. Nor the warmth of a woman's flesh. You best start believing in ghost stories, Miss Turner. you're in one!" It helps that the CGI still holds up remarkably well but combined with the reveal, Geoffrey Rush's delivery, and the music: this will always be Hector Barbossa's signature moment in the franchise.
Also from the climax, Jack and Barbossa are both undead monsters battling each other until Will removes the curse. This leads to a great bit of commentary from Barbossa, "So what now, Jack Sparrow? Are we to be two immortals locked in an epic battle until Judgment Day and trumpets sound? Hmm?" here
Captain Jack Sparrow is, without a doubt, the iconic star of the Pirates Of The Caribbean movies. However, over the course of five films, another character returned evolving from a heartless villain to a hero much like Jack; that would be none other than Captain Hector Barbossa played by Geoffrey Rush.
Of course, Hector Barbossa's most famous line comes when he gives a big speech about what he wants: to be mortal again. Elizabeth was already just scared to death by the skeleton crew but Barbossa slowly steps into the moonlight, showing his skeletal form.
Carina is Hector's daughter and that line is the perfect representation of a father's love for his daughter. Following this line, Hector sacrifices himself to kill Salazar, allowing him to go out as a true hero in one of the best redemption arcs ever brought to film. [links]
"I'm curious; after you kill me, what is it you plan on doing next?" Like a true boss of the sea, shrugging off that attack as if it were a mild inconvenience. This leads to Elizabeth scurrying onto the deck to discover that the whole crew consists of the undead. [links]
After developing it for years as a more straightforward pirate adventure, producer Jerry Bruckheimer became involved and assigned Ted Elliott and Terry Rossio to the project, who added the supernatural elements that really set it apart, with the cursed pirates (led by Geoffrey Rush’s Captain Barbossa) turning into undead skeletons in the moonlight. Verbinski has a field day with this idea, particularly in a climactic battle, where, amongst other things, he has the pirates darting in and out of moonbeams, turning from man to monster and back again. (There’s a moment where a bomb is thrown into a skeletal pirate and then pushed into a shadow, where his human self then explodes.) And it’s moments like these, crammed into every nook and cranny, that made the movie such a refreshing surprise. It was wild and unhinged and felt dangerous and new (Eisner was nervous about the Disney logo being ahead of the movie so the film just starts). [links]
The most melancholic and most considerably bizarre entry in the franchise, it was filled with the dread that accompanied the death of adventure. Pirates of the Caribbean: At World’s End, Disney’s big movie for the summer 2007 season (and by some accounts the most expensive movie of all time at that point) begins with the graphic hanging of a little kid. Whoa. From there things only get stranger, including but not limited to the interlude with the Asian pirate league (led by Chow Yun-Fat), the journey that the gang takes to the afterworld to retrieve Jack (with multiple Jacks, including one that lays an egg, and those crab-rock monsters), a pirate council meeting (with Keith Richards showing up as Jack’s father) and a deepening of the mythology to include an ancient sea goddess posing as one of the crew (Harris’ Tia Dalma).
Norwegian directors Joachim Rønning and Espen Sandberg do a terrific job of giving the action sequences some vibrancy (a moment where Jack is nearly guillotined feels like a Disney theme park ride) even when the material is obviously subpar, even staging a Paul McCartney cameo that is more fun than awkward. Considering the next film is looking like a complete reboot/overhaul, all of the worldbuilding and callbacks (including a post-credits scene suggesting the return of Davy Jones and somehow coercing Keira Knightley to return) will never be followed through on. Oh, and the only connection to the attraction is the title, spoken by the eerie skull and crossbones. here
But which Pirates of the Caribbean entry is the most swashbuckling, supernatural creature-filled joy? And which entry should be stranded ashore. You’ll have to read on to find out, ya lousy landlubber.
The fifth and most likely final entry starring Johnny Depp starts out well enough, with both a callback to the first three films (complete with Orlando Bloom appearance, this time as a slightly more sea creature-y hunk) and a genuinely scary introduction of our new villain, Captain Salazar (Javier Bardem), a partially destroyed ghost who oozes black goop like Danny DeVito in Batman Returns. (There’s also a fun, Fast Five-y chase where Captain Jack and his confederates steal an entire bank.) But there’s a lot of unnecessary running around, looking for not one but two mystical doodads – Jack’s beloved compass (canonically Tia Dalma gave him the compass but, thanks to an elaborate flashback complete with a digitally de-aged Johnny Depp, that bit is retconned) and the Trident of Poseidon, said to be the key to unlocking Salazar from his unholy purgatory and free Bloom’s Will Turner from servitude commanding Davy Jones’ army. more
Pirates of the Caribbean: The Curse of the Black Pearl had a notoriously problematic production, filled with second-guesses and cold feet. Michael Eisner slapped the subtitle on the movie right before the movie came out because he was worried about the movie being too closely associated with the Disneyland attraction, even though the Black Pearl isn’t even cursed. His skittishness is understandable, but the subtitle was an abrupt and baffling reverse course; the first teaser poster and trailer for the film directly Xeroxed a moment from the attraction (the skeleton holding onto the ship’s steering wheel). He shouldn’t have been worried. Pirates of the Caribbean: The Curse of the Black Pearl wound up being an absolute sensation and Depp even secured an Oscar nomination for his role as the foppish Captain Jack Sparrow, something that seems to have been completely forgotten about all these sequels later. (He lost to Sean Penn in Mystic River, so there’s that.) [links]
Among the many things that make Jack Sparrow such a great pirate is his ability to use humor simultaneously with his wit. This quote was uttered in as ridiculous a fashion as it is in reading, yet conveyed to Davy Jones that he should be afraid of Jack.
He did this by having the right attitude to approach his problems, as Jack would take the situation in stride rather than rue over it. This quote was actually one of the rare glimpses in Jack’s mind, which told us that he improvised his solutions each time. here
Playing the fool and being a fool are two very different things, and Jack fell in the former category easily. While incarcerated, he heard the Black Pearl approaching as the other inmates started freaking out over the undead crew. [links]