The diversity (and paucity) of colors and patterns used by the combatants during the war was striking, and in some respects reflected each nation’s character. Arguably the most artistic were the aircraft camouflage patterns of the Italians. German schemes were a marvel of practical efficiency and identity addressing both the wide array of field conditions, from arctic/winter to desert, as well as the need for friend/foe recognition, both air-to-air and ground-to-air. The British (with the startling exception of using pink for their reconnaissance aircraft) utilized an understated blending of earth tones that evoked images of flowing mud. The Soviet Union attempted through its heavy-handed bureaucracy to regulate camouflage schemes, but regional climate requirements and patriotic fervor on the factory floor largely defeated that effort. The Japanese, with the exception of a jaguar-like blotch pattern, employed a flat two-color coating (one for the top, another for the bottom). American AAF and Navy camouflage paint schemes (based on the Army-Navy Aircraft, or ANA, color standard adopted in June 1943 that combined two previous standards) also tended to be two flat monotones, more a reflection of the priority placed on high volume aircraft production.