See full version: How much is the yacht in succession
A 180′ superyacht costs $4.75 million annually to maintain and run. Kitty McGowan of the US Superyacht Association says that among the costs, you need to budget $400,000 for fuel, $350,000 for dockage, $240,000 for vessel insurance, $1 million for maintenance and repairs, and $1.4 million for crew salaries.
England. A few days after its filming in New Jersey, the crew shifted to England’s Eastnor Castel near Ledbury Herefordshire. In the UK itself, the ‘Succession’ Season 2 was also filmed in several locations of Scotland including Dundee’s riverside V&A Museum and Glasgow’s George Square. here
Superyachts on film are not uncommon: The Bond series is famous for its fast cars and sleek luxury yachts, while recent Netflix film Murder Mystery was filmed aboard 60m/198ft motor yacht SARASTAR, but M/Y SOLANDGE has brought new heights of glamour to the small screen as the notable backdrop in Season Two of hit TV …
The Solandge famously got sold in 2017 for a reported €155,000,000 to a private owner by Moran Yacht & Ship, making it one of the biggest brokerage deals of that year. 2 Delivered in 2013, she went on to win the "La Belle Classe Superyachts" award from the Monaco Yacht Club and the "Best Exterior" award at the 2014 Monaco Boat Show. With its 4 decks and iconic deep blue hull, it continues to be a sought-after luxury yacht. here
The yacht in the Succession Season 2 finale is the M/Y Solandge. The Solandge is an 85.1-meter vessel built by German yacht builder Lürssen with interiors designed by Aileen Rodriguez. The luxury motor yacht features 7 guest cabins which can accommodate up to 16 guests, while 15 crew cabins can house up to 28 crew members. Reaching a top speed of 17 knots, it's zero speed stabilization system ensures a smooth cruising experience.
We were given shots of the Succession yacht's gilded interiors as well as its expansive outdoor entertainment areas as it cruised the Mediterranean waters off the coast of Korcula and Cavtat in Croatia. 1 It would be no surprise if a few people watching the episode wondered whether they could charter the yacht or at least learn more about it.
Fortunately for those who want to experience a Mediterranean yacht trip like the Roy family, but without the stress, the Solandge is available for charter through the Moran Yacht & Ship brokerage. 3 For $1,000,000 a week, you can take an ultra-glamorous cruise in the Med sans the corporate machinations and family feuds, of course. No blood sacrifices necessary!
Dip into one of its two hot tubs or take a swim in the full-size swimming pool. Watch a film in the private movie theater or relax in the full-service spa and massage room. The large tender garage houses a luxury tender, jet skis, and a variety of yacht toys for never-ending fun. A fully-stocked wine cellar will have you toasting to your good luck! [links]
Matland’s goal with the episode was to telegraph the shared anxiety that each character feels while laundering this panic through the resort-wear section of Bergdorf Goodman. Kendall (Jeremy Strong), who quietly slumps around, wears a tiny Paul Stuart trilby hat (Strong’s idea), which Matland says serves as both a security blanket and as a sign that he is feeling deeply insecure. “The hat was crumpled, if you’ll notice,” she said. “It was purposefully imperfect.” here
And yet they look fabulous. Relaxed. Expensive. Carefree. Cool in Top-Siders and floral maxidresses and gossamer pareos. Like Cannon in “Sheila,” who wore oversized tinted glasses and a circus of colorful caftans and straw hats, even as she was fearing for her life, the Roys, in resort wear, are engaging in high-stakes high fashion, on the high seas.
When I wrote about the fashion on “Succession” earlier this fall, I argued that the Roys are a family of “little pleasure or sparkle,” that, in spite of their money, they are tasteful to a fault, dressing protectively in uniforms of beige cashmere rather than in eccentric couture. I spoke to the show’s costume designer, Michelle Matland, who told me that this was accurate—but that she could not wait for me to see the finale, where we would get to see a different side of the Roy dress code. “I shouldn’t even be telling you this,” she said, at the time. “But they go on a yacht. We get to see them at play.”
In January, 1973, a reporter for the Los Angeles Times flew to Nice, France, to interview the director Herbert Ross about “The Last of Sheila,” a mystery picture that he was shooting on the Côte d’Azur, much of which took place on a luxurious, hundred-and-sixty-five-foot yacht called H.M.S. Malahne. The gilded ship, which was built in England in 1937 and once helped evacuate soldiers from Dunkirk, became something of a Hollywood fixture in the nineteen-sixties and seventies: it served as the floating production office for “Lawrence of Arabia” in Jordan, was a regular Mediterranean clubhouse for Elizabeth Taylor and Frank Sinatra, and popped up in “The Last of Sheila,” as the watery summer home of a sinister film producer played by James Coburn. (There was a kernel of truth buried in this fiction: at the time of filming, H.M.S. Malahne was the property of a womanizing film producer named Sam Spiegel, who was allegedly so handsy with actresses that Billy Wilder once said that he had “velvet octopus arms.”) Dark things can happen out at sea, when people feel unmoored from both the shoreline and a landlocked sense of morality. “The Last of Sheila,” written by Anthony Perkins and Stephen Sondheim—who used to host infamous mystery parties together in New York—pushes this idea to murderous excess. A group of glamorous strangers (including Raquel Welch, Ian McShane, and Dyan Cannon) set sail, people start dying, and it’s up to the viewer to discover whodunnit. In his Los Angeles Times interview, Ross acknowledged the inherent creepiness of floating stories: “If you have a group of people on a ship,” he said, “the ship becomes a metaphor for existence, you can’t help it. . . . it’s about civilization and barbarism.”
Logan never lets his guard down, even in the sun—his sun hat is wool, from Walker Slater, a tweedy, posh haberdasher from Scotland. Nor does Roman, who, despite being the most feckless character, may also be the most authentic, in that he almost never changes his costume. “He has a uniform he’s super-comfortable in,” Matland said. “Blue oxford button-ups. Always.” [links]
In @Dundee scouting for talent for #HBO Succession filming in #Dundee in June See you at the Open Casting on Monday 29th April 12-8pm at Hilltown Centre DD3 7DG @DundeeCouncil #castingnow #hboextras #castingcall @GBMCasting pic.twitter.com/1PVEVSgkEp — GBM Casting (@GBMCasting) April 25, 2019
A few days after its filming in New Jersey, the crew shifted to England’s Eastnor Castel near Ledbury Herefordshire. In the UK itself, the ‘Succession’ Season 2 was also filmed in several locations of Scotland including Dundee’s riverside V&A Museum and Glasgow’s George Square.
Many viewers would also recall Logan Roy and his third wife Marcia “Marcy” Roy’s grand townhouse from season 1. The scenes depicting this house were not filmed in one but many locations. The lobby scenes of the house were all filmed at the American Irish Historical Society at 991 Fifth Avenue located across from the Metropolitan Museum of Art. Whereas the remaining upper floors were created on soundstages at Silvercup Studios in Long Island City. more
Embuing the locales of the elite and the powerful, both the seasons of succession walk you through several landmarks of NYC. The show’s filming first started off in New York’s Lexington Avenue and East 75th Street in October 2017. The production then moved to the Financial District of Manhattan in November. Other NYC spots in season 1 include Downtown Manhattan Heliport at Pier 6, the Bellevue Hospital, Le Coucou Restaurant, Cipriani at 25 Broadway, World Trade Center, Chelsea Square Restaurant, Henry Ford estate at Jule pond, and Cunard Building on Broadway to the East New York Freight Tunnel. Season 2 also introduces us to some new locations such as Six Flags Great Escape in Queensbury, Whiteface Lodge at Lake Placid, and Del Posto eatery on 10th Avenue. more
HBO’s satirical drama ‘Succession‘ follows the Logan family that is known for being the pioneer of one of the world’s biggest media and entertainment companies. But the foundation on which their empire rests on slowly begins to crumble when their father decides to take a step back from the company. Since its release, ‘Succession’ has landed several accolades under its belt including multiple Primetime Emmy Nominations and Golden Globes. Along with its excellent screenwriting and strong performances, the show also sweeps you with its stellar production and lavish set designs. So if you’re looking for a detailed guide to its filming locations, we have you covered.
‘Succession’ first reached the public eye when, on June 6, 2016, HBO gave the show’s production a pilot order. Soon after this, in May 2017, the network finally gave the production a series order. Once its casting was done, the principal photography of the first season of ‘Succession’ began in October 2017 and then went on till February 2018. During this span, the first season was shot in several different locations of New York City, New Mexico, New Jersey, and England’s Herefordshire. The filming for season 2 began sometime in April 2019 and was wrapped up around July 2019. For season 2, new additions to the show’s filming locations included New York’s Lake Placid and Lake George, along with several locations of Korčula, Croatia.